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Honey Don't (2025)

I'm so predisposed to love this flick, considering the actors (Plaza), the director (Coen), the style (funny and violent), the subject (detective noir) - like the movie was made for me! - but the end spins totally out of control, has no style or grace, and looking back overall this movie lacks the exposition and character development that would've brought off any kind of ending at all.
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Border (2018)

I appreciate this Swedish film for its uniqueness, both in story (never quite seen a fairy tale concept treated quite like this) and in effects / setting / makeup (you have to watch it to understand), and while the plot sort of left the rails a bit at the end, I am really glad I watched it.

The Fall Guy (2024)

In my quest for stupid action comedies as an alcohol substitute I broke an important rule of (consuming) lowbrow art which is to never watch the thing about making the thing, it's always solipsistic and horribly boring unless done with a deft touch (which this was not, I mean really the opposite of deft).

The Thomas Crown Affair (1999)

Good casting and acting, also from supporting cast, very stylish romantic thriller, got a little heavy handed on the twists and turns and tricks, not that I mind that, I just mind the inconsistency where a movie will start out on one level of unbelievable and then progressively escalate as it wends.