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Inspired by Marty Kagan

You have to really want to learn about "product management" in the context of tech companies to get anything out of this manual, but I sort of did, and did, and my thinking did change in some helpful ways at work, and the cool part is that some of the big ideas here (the importance of product+engineering together continuously interviewing customers, especially) is also a big point from a book I read 3 years ago that really impressed me, Beyond Command and Control.

Recent posts

The Killing (1956)

For film buffs this glimpse of Kubrick's style developing in the mid-fifties is very cool (interplay of light and shadow, action sequences, camera angles), and the story overall is tense and enveloping, altho on final consideration the plot was thin.

Marlowe (1969)

I liked it a lot; this is a flawed noir movie that could've been a ton better with better editing and a different actor for Marlowe (he's way too clean + handsome), but it was an easy watch with great shots and many scenes that just sucked me in.

Wake Up Dead Man (2025)

It's impressive that the third installment in the Knives Out series manages to stay fresh and different, but they do manage, through a clever combination of emotional and mystery related tricks, and I really appreciated it - oh and also Daniel Craig has really grown into the role.

Red Country by Joe Abercrombie

I stupidly read these 9 books a bit out of order (don't make my mistake) so this is the last of the 9 novels of Abercrombie's First Law series, and I loved it, and I guess it's a little long-winded but nonetheless a wonderful story full of that trademark of his writing - wherein multiple character-driven developments intersect to create a marvelous moment, in a way that feels totally natural and quite surprising at the same time.

Honey Don't (2025)

I'm so predisposed to love this flick, considering the actors (Plaza), the director (Coen), the style (funny and violent), the subject (detective noir) - like the movie was made for me! - but the end spins totally out of control, has no style or grace, and looking back overall this movie lacks the exposition and character development that would've brought off any kind of ending at all.

Border (2018)

I appreciate this Swedish film for its uniqueness, both in story (never quite seen a fairy tale concept treated quite like this) and in effects / setting / makeup (you have to watch it to understand), and while the plot sort of left the rails a bit at the end, I am really glad I watched it.

The Fall Guy (2024)

In my quest for stupid action comedies as an alcohol substitute I broke an important rule of (consuming) lowbrow art which is to never watch the thing about making the thing, it's always solipsistic and horribly boring unless done with a deft touch (which this was not, I mean really the opposite of deft).